after Sotatsu Tawaraya
Hato, 1910
Bound collection of woodblock prints on paper
15”h x 10-1/2”w
after SotatsuTawaraya
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ZUANCHO is the Japanese name for design books that were used in Kyoto’s textile industry around 1890 to 1940. The word zu-an-cho consists of three Japanese kanji characters: ZU (...
ZUANCHO is the Japanese name for design books that were used in Kyoto’s textile industry around 1890 to 1940. The word zu-an-cho consists of three Japanese kanji characters:
ZU ( design or drawing) 図+ AN (idea)案+ CHO帳 = Book of Design Ideas.
Kimono dealers, their clients, and the craftsmen who dyed, wove, embroidered the textile, and sewed the garments used zuancho to communicate with each other when they made a custom-made kimono.
The richness of these books came from being at the nexus of a heightened aesthetic common to everyone involved in kimono production and consumption customers, dealers, designers, artisans, and the publishers of zuancho themselves. During a few short decades of this time, the Kyoto culture created this convergence of client expectations and master artisans' craftsmanship. The situation has a fascinating similarity with the design world of today.
ZU ( design or drawing) 図+ AN (idea)案+ CHO帳 = Book of Design Ideas.
Kimono dealers, their clients, and the craftsmen who dyed, wove, embroidered the textile, and sewed the garments used zuancho to communicate with each other when they made a custom-made kimono.
The richness of these books came from being at the nexus of a heightened aesthetic common to everyone involved in kimono production and consumption customers, dealers, designers, artisans, and the publishers of zuancho themselves. During a few short decades of this time, the Kyoto culture created this convergence of client expectations and master artisans' craftsmanship. The situation has a fascinating similarity with the design world of today.